Artist Statement

I am drawn to zones of intertwining, mingling and repulsion.
I work with materials as bodies and language as attunement.
Sculptures are my way of building bodies where a material’s peculiarity tips into its relationality. The places where the contradictory becomes tangible. Where glass keeps safe, liquid becomes voluptuous, and stone takes me in.
Touch is my manifesto and most trusted method of knowing.
I am infatuated with materiality for being at once irrefutable and futile.
I want to let it attest to all it has to say, while consenting to its slipping through my fingers.
My sculptural work cycles are initiated by site-responsive processes, mostly in the context of residencies. In my recent work, I am exploring intertwinings between human and stone bodies.